Stephen Wilson Albums
Stephen Wilson expertly crafts extraordinary and timeless designs using sustainable materials. Each art piece embarks on a journey, starting with an up-cycled luxury bag, box, silk scarf, or album. Wilson meticulously creates a bespoke embroidery design, delicately intertwining every stitch by hand. Stephen's North Carolina studio is large, taking up about 15,000 square feet and setup to create work using traditional art techniques mixed with modern technology. Stephen uses 3D printers, laser cutters, commercial large format embroidery machines, yarn embroidery machines and laser cutting embroidery machines.
There are over 30 different types of embroidery machines in the studio, including standard embroidery machines, laser cutting machines and even a yarn embroidery machine. Depending on the piece, a machine is selected and prepped for the piece. Each spool of thread and coordinating fabric is selected at this point in the process. Each spool of thread is loaded onto the machine and the canvas is meticulously placed onto specialized backing, prepping it to stitch. Once the machine is started, pieces can take up to 16 hours to stitch depending on the amount of embroidery in the given design. All appliqué fabrics are then added into the piece at this time along with extra elements like butterflies, flowers and patches are embroidered during this stage for each piece of art.
“My work has always been about the medium of fabric and thread and how far I can push the medium in both conventional and unconventional methods. Since the conventional use of thread and embroidery has been in fashion and wearables, fashion has always been a major influence in my work. Besides fashion, music has always been a strong influence on my life and in my work. I grew up in the 1970’s and music was all about record albums. This was before the internet, streaming, CD’s or IPods. When a new record came out from an artist you followed it was literally, everything. I remember the way the albums used to feel, reading through the liner noted and most of all admiring the art of the album itself. A big part of the modularity series was combining different techniques like photography, luxury boxes and paintings together to form art installations thait start different conversations . The next piece that I wanted to add to the conversation, as you can gather are record albums. I have spent months sourcing vintage record albums and created dozens of prototypes to finally come up with these pieces. Each album was hand selected and then I set out to embroider them. Each thread is hand digitized using digital drawing tools using a scan of the actual album as a backdrop. Every stitch is placed by hand, one at a time. The embroidery process itself is the most interesting and has to be seen to be believed. Each album is embroidered directly through the actual Album sleeve. Each album has to be carefully aligned on the machines before it is stitched, this is a very difficult technical challenge. Each album receives a different type of treatment, some like The Rolling Stones “Sticky Fingers” is stitched completely with thousands of stitches and others like Nirvana’s “Nevermind” use a combination of embroidery thread and appliqués cut from the liner notes in the album. Each of the albums are created as unique variations in additions of 8 with 1 artist proof. Since the albums are part of the modularity series they blend perfectly with the other works in the series. The narrative now has art, music and fashion all married together.”
–– Stephen Wilson
105 ARTWORKS